Showing posts with label shropshire. Show all posts
Showing posts with label shropshire. Show all posts

Sunday, 10 August 2014

Exhibition in Shropshire

Fiona has had a painting accepted for the Whittingham Riddell National Fine Art Open exhibition at Weston Park in Shropshire, showing from 6th August until 27th August.

The painting started as always in a sketchbook; one of a series of quick colour studies of the sky at sunset, looking west over the Irish sea from Aberaeron during the longest days of the year in June. It was then developed from the sketchbook studies, in acrylics and oils on canvas.

 
'rock melt west'; acrylics, oils on canvas


floating frame

on display at the exhibition

one of the sketchbook studies






Tuesday, 30 July 2013

summer sketchbooks





Some extracts from summer sketchbooks, with more to follow over the next few weeks...

An ever-stretching wild river meadow of dandelions with fields of yellow oil-seed rape beyond, sweltering in the golden light of mid-summer, the river deep and fast behind me.
This was worked up from an in-situ sketch as preparatory work for a painting on canvas. I've started to work in a bigger format (A3 sketchbook) in an attempt to ease the transition from living in my sketchbook to stand-alone work.

Severn valley, Shropshire; 82cm x 30cm; inks, watercolour & enamels on gesso (Fiona)
This sunflower sketch was an experiment in using Ecoline watercolour inks. I bought a set a few years ago and have never really got to grips with them, mainly because I'm used to making a limited palette work hard, and tend to avoid brilliant colours.  However, the vibrancy of these inks really comes into its own using pen and wash. The subsequent Indian ink washes and cool conte crayon  work as a counter-balance.

sunflower; 30cm x 41cm; inks & conte crayon (Fiona)






bleached treetrunk, Himley Hall; 30cm x 41cm; inks, aquarelle & conte crayon (Fiona)
I sketched this old dead tree trunk in the teeth of a very brisk north wind, so worked quickly with a broad bamboo pen and various inks, flinging it all around in order to complete the entire sketch in about 15 minutes. That way I could get back quickly into the warm sunshine... but also a great way to free up a drawing and work expressively.





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